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Iggy profits from the cultural performativity and forms of survival that Black women have perfected, without having to encounter and deal with the social problem that is the Black female body, with its perceived excesses, unruliness, loudness and lewdness. If she existed in hip hop at a moment when Black women could still get play, where it would take more than one hand to count all the mainstream Black women rap artists, I would have no problem. Iggy would be one among the many. But in this moment, she represents a problem of co-optation. She represents the ways in which hip hop is on a crash course to take exactly the path that rock ‘n roll took such that 20 years from now, people my nephew’s age, will look at the Macklemores and Iggys of the world as representative of Hip Hop Culture, with nary a Black soul making their top ten list of hip hop greats.

Iggy Azalea’s post-racial mess: America’s oldest race tale, remixed

As a white female rapper mistakes appropriation for artistry, here’s how black women remain pushed to the sidelines

(via roropcoldchain)
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Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don’t know what it feels like to be free. We aren’t free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn’t free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens.

Assata Shakur (via unincarcerated)
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